The Renaissance, Artwork: “Pink Dogwoods” by ChloeAnn Cajuste ’28
“Pink Dogwoods” by ChloeAnn Cajuste ’28
Kellenberg Memorial's Literary Magazine
An important extracurricular part of the student life at Kellenberg Memorial is our literary magazine, Renaissance. Renaissance members meet weekly to write, read, and discuss literature and the arts. Our magazine, published in print annually each Spring and digitally throughout the year, contains the creative writings and artistic talents of students from grades six through twelve. The creativity in these poems, short stories, essays, and art is often learned about in the day-to-day work within our classrooms, but here they are expressed by our contributing student writers and artists. If you would like to see our webpage, please search kellenberg.org/phoenix on your browser and find us on the menu options.
Feeling the hot blood rush to my face, I sat in my new sixth-grade homeroom dreading for my name to be called next when I heard the teacher call out, “A-At-Attilio?” Embarrassed, I timidly raised my uneasy hand and held my head down as I tried to block out the piercing gaze of my intimidating classmates.
When I was just a young boy in first grade, my mom and dad explained to me that I was born in a far, far away place called Korea and that I was “adopted.” I hadn’t truly grasped what that word meant and what it meant to my identity, but I recognized that it made me unique and different.
By the time I was getting ready for sixth grade, I had thoroughly known what it meant. “Why don’t you look like your mom?” “Why is your name Attilio?” The questions and observations of my peers made it clear to me that I was a visible outlier. It wasn’t until I entered middle school that I felt truly alienated.
My looming anxiety followed me like a shadow in an unfamiliar school with unfamiliar faces. I was frightened by the fact that my differences would be picked out and I might be judged for them. I was the Asian kid with a strange Italian name. I felt like a black sheep, an oddball, a red plate in a cupboard of blue plates, an imposter. I shouldn’t have memories of crushing and jarring fresh tomatoes or rolling and flattening soft pasta dough with my Italian mother and father. I shouldn’t be named after my Italian grandfather because I’m not even Italian myself. My family’s traditions had become the subject in which my embarrassment circled around.
Caked in flour and egg, my mom’s hands moved swiftly through her cooking stations like a pianist moving side to side on their keyboard. While brushing the powdery flour off her dusty hands, my mom unexpectedly asked, “Do you want to go try some Korean food? I heard they opened a new restaurant nearby.” I nervously and excitedly responded in agreement. From that moment on, my seemingly lost culture had begun to intrigue me.
I tried the chewy tteokbokki, which reminded me of gnocchi and the ribbon-like noodles, which reminded me of spaghetti. A new and fascinating world unveiled itself to me. I had found that missing piece in my puzzle in the buzzing, lively streets of Koreatown. I was determined to share everything I loved about the culture with my friends and family.
My identity seemed to have become complete as both of my cultures had met in unification. I was now the one who was proud to have a sense of duality in his culture. My Korean roots became just as meaningful as my Italian traditions and upbringing. I was now at peace with myself and felt that my Korean birth name, Kim Han-Byeol, now had meaning instead of just being a past identity.
My confidence bloomed and my true self flourished. I transformed from the kid who just barely had the confidence to raise his hand and ask a question to the kid who breached every barrier of his comfort zone. I stopped shying away from having my voice be heard. I was now joining clubs and activities that I never considered before, understanding people better, taking on a job as a cashier, and sharing my two cultures openly and excitedly.
No longer do I wade in shame as my name is called. I keenly grasp ownership of the name Attilio and proudly reply, “Here!”
“A Valuable Bah-Humbug!” by William Hegarty ’23:
Christmas time,
Oh so many joys,
The time of earmuffs,
To block out the noise.
The corny songs,
The cringe-inducing imagery,
The all-expensive presents,
With a very hefty fee.
The whole season itself,
God, it’s awful!
It’s a corporate paradise.
No one’s being thoughtful
Of the sick, the lonely or the poor,
No one’s any longer sincere or pure.
There’s no such thing,
Not in this materialistic world.
Oh, and stop intruding on Thanksgiving!
It’s a great holiday without 106.7 playing!
I don’t want to hear Mariah Carey
While I’m cutting the turkey! I don’t want to be Merry!
So have a Merry Christmas
Building snowmen instead of feelings.
Another year of the same old business,
Buying gifts while the homeless are freezing!
Make it about Advent!
Forget the sales, and in lieu
Of gifts and money spent,
A very Merry CHRIST-mas to you!
The Giving Spirit by Daniella Lausev ’24
“Searching Skeleton” by Spiro Mihalatos ’26
“Trapped Inside” by Caroline Filocamo ’27
I sit in a chair, surrounded by darkness. I stand, after minutes— no, hours. Days, years maybe. I stand and see something; there’s a light in the distance. I start walking towards it, wanting to leave this ever lonely palace of darkness, but as I near freedom, the light drifts farther and farther away. I spend who knows how long, running to this light as I hope this is the end. But it’s not. It never is. I turn around and startle. The chair. It’s right behind me. I ended up right back where I started. I open my mouth to yell “who left me here,” but I cannot speak. I scream, and there’s nothing. I fall to my knees, praying to be let out of this prison, crying as I put my head in my hands and shake, realizing this is no nightmare, rather a prison of my own mind. I have created this; my own mind is the only thing trapping me here. I try to think my way out of here, but it doesn’t work. I slowly realize fear is the only thing keeping me here. And it’s terrifying.
By Katelin Lopez ’25
A man comes on the loudspeaker to let the 200 meter racers know that it’s time to come to the starting line. They organize us into groups by our speed. All of a sudden it hits us that we need to run. We pray a quick Our Father to help with our nerves and wish each other luck. While I’m waiting to run, the breeze grazes my shoulder and I shudder. You would expect spring to be warm, but most meets are pretty chilly. I keep my sweats on for as long as possible, but now there are only 5 heights before I’m up. As my sweats come off and I’m left with just a tank and shorts, the breeze starts to hit me. The group in front of me goes and I feel that familiar pit in my stomach start to form. I pray one last time and I get ready. The man tells us to step forward.“On your marks” he says, so I get into a down start position. Making sure my fingers and legs are positioned properly. Once we are ready he says “Get set” I left up my back, and then the gun goes off. As I stride the curve, I see some of the girls pass me, but I know I will pass them later. I keep my form a little loose, leaping into each step. After I get past the curve I’m pretty tired. At this point I just need to sprint the final 100 meters, easier said than done. So I bring my arms in and start moving them faster. 50 meters left and my vision starts to blur as it always does near the end of a race. Now I see ahead of me the girls that passed me in the beginning of the race, and this gives me enough strength to pass them.At this point my body is on the verge of giving out now, but the finish line is so close. So I muster up all the energy I have left and finish strong. I try to pass the girl in front but she beats me by less then a second. I came in 4th out of 6 girls. Now I try to gain my breath back and walk slowly back on the football field to get my things. My body aches, in my mind I know I will feel this race lingering in my body. I put my sweats back on and join the other girls.
By Victoria Vakser ’26
I have an uncle who despises squirrels.
He hates their little faces, the way their tail curls,
for they gnaw on his roof, chew through his power lines,
and scatter bits of acorns and other such finds.
Now just so you know I would like to make clear
that to get rid of these squirrels, nothing was to dear.
He set traps, he sprayed pest spray, but all to no use,
yet no matter what he would not call a truce.
One fateful morning, while on the highway,
he spotted a squirrel, smack in his way.
He would not hit the brakes, no, he pushed on ahead,
and soon that little nuisance was dead
“I Hate Fall”
By Sahara Arbouet ’26:(Read from top to bottom then read from bottom to top)
I hate fall
Did you expect me to say
I love it
Because I don’t
I hate it
I will never say
I love when the colorful leaves fall from the trees
Or when they fly around in the breeze
Hate the way the leaves crunch beneath my feet
I don’t
Like Thanksgiving or Halloween
I like holidays
But just not these
I like spring
Flowers and Bees
I don’t like
Jackets and sweaters
I love
T-shirts and warm weather
Spring is 10x better
Don’t say
Fall is the best
Because that’s a lie
I prefer spring
I don’t think I could ever say
I love fall
“Copper” By Erin O’Connor ’25 I don’t live in a world of |
Above:
Men and Women Standing Proud
By Luka Pierre-Louis ’22
Below:
The Beauty in Imperfection
Katelin Lopez ’25
I have always strived for perfection. That’s what the goal was to my mind… perfection. Recently, I’ve realized that this goal is irrational, quite impossible, and just a waste of my time. Now don’t get me wrong, I will probably always be a little bit of a perfectionist, because it’s just been a part of me for so long that it will be hard to kick that mindset. Also, the perfectionist mindset has gotten me to achieve incredible things such as getting good grades and being a pretty decent artist. But this mindset has a dark side. I often only see my negative qualities, and imperfections. For example I am so nit-picky when it comes to my art, my grades, and organization. I can’t get any joy out of a 99 on a test; I just feel inadequate, and think “what’s so wrong with me that I couldn’t get a perfect score?”
I often get caught up on little imperfections and never really see any beauty in them. However, art has begun to show me how to embrace my mistakes. I owe a lot of that to my twin brother. He is an artist as well, with a very different style compared to mine, but I’m still able to implement some of the ways he goes about his art process into my own. His art can be interpreted in many ways, whereas with mine it’s very clear what’s going on. In some cases, yes, that’s good, but it often gives my work a restrictive feeling. About two months ago, my brother painted a man with strokes of variations of gray and splatters of red, blue, and yellow behind him. He wore a white shirt with a criss cross pattern, and what looked like a straw hat with the same pattern. The man almost pops out of the page since he’s outlined in this stark black and in some areas it would bleed into a dark gray, while his skin is all white except for splashes of rosy pink on his cheeks. His eyes are looking to the side as if he’s worried something is going to happen, his nose is a little crooked, and his mouth is not quite a smile or a frown. The background is chaotic but simple. The color of his rosy cheeks makes me feel like the man is about to burst from the anxiety he’s trying to contain. Meanwhile, my older brother just saw a man with a messy background.
My twin works a lot with ink, so it’s easy to make mistakes, but he just rolls with them and makes them seem purposeful. With me if the eye is wonky, even by a little bit, there is the urge to want to erase both of the eyes and try over and over again until they look right. Sometimes it feels as if the painting is never truly done, because even days after it’s “finished,” I still go back and fix some mistakes. Some of my favorite pieces of his art have “mistakes,” like the painting of the farmer. He doesn’t think too much about his next stroke and just goes with wherever the ink takes him. With my art, I have an entire plan. First, I create a bunch of little thumbnails just to get ideas down. Then, I sketch my idea on a larger scale. Once that is done I have to transfer it onto the canvas, and then I put an underpainting. Finally after all of that the actual painting can begin. My process is very time consuming. My twin just gets an idea, searches for a reference photo, looks at it twice, sketches, and starts painting. However, with ink he just goes straight into it. He’s literally going with the flow. That’s what makes his art so wonderful and fun to look at. When you look at his work you can always find something you didn’t see before. I want to “go with the flow” in my own art, but also in my life.
Through my brother’s art I’m able to find the beauty of imperfections in myself, the world, and my work. Before, I hated looking at my mistakes because I would just dwell on them or want to start a drawing all over again. Now I have a different perspective on what it means for something to be beautiful. It’s those wrinkles around someone’s eyes when they smile, the discoloration around the eyes, the bags under someone’s eyes, and the scars on a person’s face that makes someone beautiful. Art has allowed me to accept those imperfections within myself and my art.
Above: “Evil Eyes” by Samantha Nobles ’22
Below: “Haunted House” by Nathaniel Denzler ’22
I am not one to believe in the supernatural or the paranormal. Usually people talk about that stuff and I just look away and roll my eyes. However, there is one time in my life where I questioned that belief. My middle school bus stop was right in front of what appeared to be an abandoned house. No one lived there, from what most people could tell. It seemed that there definitely wasn’t anyone living there. Despite this, though, occasionally the light would turn on in the house, even though it probably would have been long broken by that point. I would stand at my bus stop alone, and sometimes hear a creaky door open or some pebbles rolling on the ground. On Halloween one October, a few of my friends wanted to go and explore the haunted house. They went on their own, because I was too scared to go. What they said they saw shocked me. There was an old lady sitting on a rocking chair reading a book. When they saw her, she hissed at them, and a bunch of bricks and tiles on the house started falling to the ground. They ran and didn’t look back. The house collapsed completely a few days later. Now, someone new owns that property with a new house. My sister is actually friends with someone who lives in that house. I’ve been in the new house, and every time I’ve been in there I get chills, wondering if the ghost of the abandoned house will someday come for me.
Above: “Lily Pads” by Lindsey Rubenstein ’24
Below: “Blue” by Audrey Sasso ’25
Blue like the ocean that can show such might;
Blue like the midday sky: clear, calm and bright;
Blue like blueberries: sweet and always a delight;
Blue like sapphires, a jewel sparkling in moonlight;
Blue like robin eggs, a treasure yet almost never in sight;
Blue like damson plums, sour but still tempting to bite;
Blue like blue jays chirping a song quiet and light;
Blue like the thought of sadness when your tears fall white.
“Pink Dogwoods” by ChloeAnn Cajuste ’28
“Soft Glowing Lamp” by Sophia Sontag ’27
“Memory of a Boat Trip” by Lauren Reyes, ’26
“Overgrown” by Rosann Passalacqua An impressionist painting of the memory of my grandparents’ backyard garden.
Painting: “Let Music Free Your Soul” by Mia Rose Spence ’30, The Renaissance Challenge Winner
Ashlynn Newsome ’25 Reese Holloway ’25 Tristan Weber ’31 Emily Fox ’31
“Energy Doll” Illustration by Brandi Licato ’24
“Mary, Mother of God” In celebration of the Month of the Rosary and the Feast of Our Lady of the Rosary. Rosann Passalacqua, ’27