The Renaissance, Artwork: “Pink Dogwoods” by ChloeAnn Cajuste ’28
“Pink Dogwoods” by ChloeAnn Cajuste ’28
Kellenberg Memorial's Literary Magazine
An important extracurricular part of the student life at Kellenberg Memorial is our literary magazine, Renaissance. Renaissance members meet weekly to write, read, and discuss literature and the arts. Our magazine, published in print annually each Spring and digitally throughout the year, contains the creative writings and artistic talents of students from grades six through twelve. The creativity in these poems, short stories, essays, and art is often learned about in the day-to-day work within our classrooms, but here they are expressed by our contributing student writers and artists. If you would like to see our webpage, please search kellenberg.org/phoenix on your browser and find us on the menu options.
Shades of Blue
By Samantha Nobles ’22
Blue is known to evoke melancholy. Yet I find no sadness in it.
Blue extends beyond rainy days and Mondays; goodbyes and endings.
It is your first breath, welcoming, vulnerable.
Driving open-roaded, rolled-down windows, volume full of music,
Free and uninhibited.
Blue is an evening twilight
When the cerulean sky dissolves into a midnight hue.
It is the silent hour of the indigo night,
When I am awake while the rest of the world is asleep.
It is that moment when the sun looms through a cloudy day
And I feel the warmth of its rays on my neck to my knees,
From my teeth to my tongue. To my lungs.
Blue is a loyal friend to whom I shout, “Hello!”
And who assures me that everything will be alright.
Don’t you see? Blue isn’t always rooted in perpetual gloom.
It is a color overflowing with wonder and hope.
Desert Sunflowers by Katelin Lopez ’25
White Sun by Chikamso Agina ’22
In the month of her birth, the sun hides behind clouds of ash, like it’s afraid of the rain and how it pours and of the screeching thunder that chases after bolts of lightning, striking the rumbling earth. Of course, this can’t be any further than the truth. Somehow, within the midst of a tempest, it almost seems afraid of her. She treads the paths of the universe so carefully and sparingly as the child of stars and comets, favored by Hephastus and Athena who bestow upon her the golden laced gift of artful wisdom, but in the wake of Jupiter, ruler of storm and rain, she finds herself afraid. Her body falls weak, draped with the translucent cloak of fear towards her slowly depleting youth. Something within her begins to stir.
She finds herself scrambling for paint, hurriedly mixing and spewing it against her palms so that as the rain pours, she can pour all that she feels against the porcelain pillars of her home. It doesn’t take long for vibrant colors to be spilled against the floors or for her hands to be stained with marmalade and scraping against stone. To be lost in her own craft– eyes, and mind blurred with indigo and sage while the only thing she can seem to wrap her brain around is the very fact that she is on the brink of losing the remnants of her adolescence as the day of her birth is drawing near (tormented with the desire to never grow old, to chase after the fading age of seventeen). She doesn’t even notice how her tongue begins to burn with the bitterness of rotten cherries and melted stars as the tips of her fingers flush red. She’s rubbing into stone with lavender all whilst aching for the comfort of white sunshine. Her knuckles begin to bruise.
From porcelain pillars to stone canvases of sage and marmalade, arraying milky moons and yellow suns that beam down upon villages of mice who nibble on indigo mushrooms and magenta puffs of dandelion. It’s something made of dreams. Her breathing, which had grown heavy, begins to calm once she notices that every single one of her twelve pillars has lost its pristine whiteness, now cursed with her panicked passion. With patches of dried paint scattered across her body, she slumps to the floor, fatigue washing over her as her eyes remain fixed upon her creation. Her back hits the wall, the clouds outside spread apart, and the raindrops cease for the first time in days.
Warm sunshine falls upon her figure like petals against skin, and her lips tear apart into a smile that turns her eyes into crescents while her heart swells with pride. With the world as her canvas and the sun as her muse, her worries of youth are nothing more but rivers of paint against stone.
Growing up Greek Orthodox, my mother often stressed the importance of Lent. She believed that we can strengthen our relationship with God through fasting. Maybe I was too young to truly see how this could be, but as the time passes, you stray away from the path. Lent helps us to get back onto that path. In Orthodoxy, we fast for 40 days from meat and dairy, starting on the first day of Lent. It is only until the clock hits 12:00 on Easter morning that we can indulge in that which we restricted ourselves from, especially lamb.
An Easter tradition in my family is going to my grandmother’s house late at night. We wait there until around 11:45 and then walk to the church right around the corner from her
house. With us, we bring our ”lambadas,” a Greek term for a candle gifted to you from your godfather and godmother. As 12:00 strikes, the priests chant “Christ Has Risen” (in Greek, of course), and the people recite back, “Truly He Has Risen,” all while passing around the “fos” or “light” from candle to candle. When we get back to her house, my grandmother has lamb stew ready. My family and I then enjoy a late-night meal, finally breaking our fasts together.
Article by Phoenix writer Lauren DeRiggi ’24:
On Friday, March 18th, Kellenberg’s Renaissance hosted a poetry read-around. The Renaissance is Kellenberg’s Literary magazine where students have the opportunity to express their creativity through prose, short stories, artwork, and essays. The read-around consisted of students in grades 6-12 reading works from their favorite poets, such as Edgar Allan Poe, Maya Angelou, Seamus Heany, and Walt Whitman. They also discussed the literary elements in each poem and how they can apply it to their own writings.
Grace Wilson ‘23 says, “I went to the Renaissance poetry read around because it seemed like it would be interesting, and I thought it would help me with my own writing. In the future, I’m hoping that more people attend because I definitely found it to be an enlightening experience.”
The Renaissance’s poetry read-around was a great opportunity for students to share their favorite poems and learn about the literary elements within them.
Artwork by Angelina Scalice ’23
Poem by William Hegarty ’23
The pounding sound of dread in my head,
The dumbfounded counting of hours, the dazzling showers,
Flying like sand in the wind through the sky.
Trying and failing with all of our lies,
We’ll never reach the promised land while
Sinning and watching with bystander’s eyes.
Repent, or you’ll be damned,
With your sins, you will be slammed.
This, men do not understand as they fly
through the gates of Hell and land in regret,
staring at the red sky of the damned forever.
Above:
The Monster Within
by Samantha Nobles, ’22
Such… horror. Such monstrosity. I begged myself to avert my eyes, yet I could not. The terror, it held my gaze.
Before me, I saw such a—wretch. Filthy, abhorrent. Feral were its eyes, glowing with— not a flame of passion, but of desperation, the only source of light among the void it stood a part of. Its claws were long, having been sharpened on the stone of avarice. It must have been one to love punishing its prey, or something just as primitive and evil. In entirety, its figure was ghastly, gaunt— dead.
And yet, it stared. A cold, icy stare. Murderous, I say. I should have feared for my life.
It outstretched a long, cloaked arm, cocking its wrist and pointing directly at me. Square between the eyes. A millimeter away, and yet it dared not touch me. Why?—Nevermind. It had its ways to penetrate me, regardless. A chill like no other went through me, like the harsh bite of frost on steel.
We held a contest, it seemed. Who would give way: I, in fear, shrink away? Or it, in boredom (or perhaps mercy) decide not to prey on what lay before it? Not that this demon could have a conscience. It may have eyes, flesh, and bone, but to give this thing the consideration of beating, human heart, or of intelligent, conscious mind? What absurdity.
It spoke to me. I could hear it internally, yet so distantly too. Its voice (dare I personify the beast) was strangely familiar, as if I once knew the speaker. With how it shook me, one might even say this one was once dear to me. I defer.
It not only spoke, but weeped. Whispered, begged— I almost pitied it. A trick of the mind, surely— and yet, I found myself understanding it. This cryptid, in all beastiality and nature, was suffering. Suffering, suffering—it was on Death’s doorstep, perhaps of its own volition.
It grasped me without contact. For these moments, we were bound by emotion. The creature had a sickly grace, now that I observed it. Much like a phantom of memory, or of dreams. But like all dreams, it had to depart.
Flashing its wide, almost manic grin, it beckoned me to follow it into the shadows of its background. I found myself longing to hand myself over to it, to become limp in the tendrils of the serene mystery, the velvety unknown, that lay beyond—
I blinked. Hard. Shaking my head, I scolded myself. I need to stop looking in the mirror so often.
“Sky and Stars” by Juan Montes ’22 (above)
“Starry Night” by Grace Wilson ’23
My phone reads 7:11 PM as I’m boarding the train to Long Island. Just on time, I think to myself, relieved that I wouldn’t have to spend the night in a hotel here in New York City. A few moments prior, I was making my way through a Barnes & Noble in search of a new book to delve into. The “Bargain Book” table is undoubtedly my favorite section. Two months ago, I had promised myself I would finish all the books on the table. I already adventured into The Complete Collection of Edgar Allan Poe, Mark Twain’s Huckleberry Finn, and Charles Dickens’ A Tale of Two Cities. Each book branded its own unique impression upon me. Glancing at all the hardcovers, paperbacks, and Flexibounds, I found myself gravitating towards The Works of Ralph Waldo Emerson. The book seemed to smile at me as I extended my arm to pick it up. “This is the one,” I whispered under my breath.
The hissing and screeching of the brakes on the track wake me from my daydream. Just three more stops to go until I can nestle into bed to say farewell to the day. I reach for my shopping bag that’s resting between my backpack and the side of the train. As I open up the front cover, a symphony of crackling sounds emerges. The first page reads, “‘The stars awaken a certain reverence, because though always present, they are inaccessible’ – from Nature.”
I look out the window, and beyond the glare of the fluorescent lights, I see an infinite sky of dark splattered with stars of light. I focus my attention on one star in particular, its pulsating glow in sync with the beating of my heart. I can feel its radiating warmth travel through the veins in my body. Alone with the stars, I am at peace.
The star-lit sky is my map. Every star represents a fault, an accomplishment, a wish, a failure, a truth, a lesson learned. Each constellation represents another chapter of my story. Every night, the stars put on a performance in their dome theatre, the moon being their spotlight. I am the spectator, though I never knew I was. I remember wishing upon stars as a child. I remember always trying to find the Little and Big Dipper. I remember thinking that angels communicated with each other through the flickering of stars after watching It’s a Wonderful Life. I became blind to the gifts of nature around me. I wore a disguise that concealed my youthful heart. I found what I had lost at that moment.
The train halts. I step onto the platform with my book clutched in my hand. I take a deep breath and, once again, look up at the sky on this starry night.
Red Riding Hood (above) by Katelyn Takes ’23
Red Scarf in Winter (below) by Erin O’Connor ’25
On the first snow day,
I wore a bright red scarf in the snow.
I left it on the tire swing,
And forgot to take it inside.
All winter it stayed there,
Through cold and wind and blizzard.
And when I saw it,
Each time I thought,
“I’ll get it next time.”
So now it has sat
There in the tire,
Through rain, and thunder, and heat.
Dirt is covering it,
And weeds are attached to it.
And now when I see it,
I don’t want to remove it from its home.
Candle of the Mind by Samantha Nobles ’22
Persevere by Angelina Scalice ’23
“Make this choice!” “No, this!” they cry; I can hardly think ahead.
“Take this path!” “Go here instead!” I try and try, but still, I dread
Moving forward. It’s so hard, with all this shouting, misdirection;
This confusion, such delusion, chronic fear of great rejection;
And as the panic settles in, waves of pain invade my head.
Am I here? Is this real? What does this hazy veil conceal,
For I feel crazed, strange and dazed, as if in a dream; unreal.
There is darkness, and now light; do my eyes betray my sight?
Do they too betray my mind, convincing me that nothing’s right?
My thoughts are raving, full of fright, and they now begin to reel.
Helpless, hopeless, great despair; what’s this I see standing there?
A door? A friend? A hope? An end? Will this help me; will it dare?
It extends a hand so warmly, smiles kindly, and then tells me:
“You are not alone, you see. I am here, and so we’ll be
On this journey, not forever, but for the time we are, together.”
It finally disappears, the fear that crept in, stayed, and reared
Its ghastly head of mere illusion, and in its place then appeared
An ally on this winding road, to help me through and through; and so
I know you are by my side, you will not leave me alone.
Together we will fight and challenge, overcome the dark and feared,
Now the battle’s fought and won, and in my heart, I truly know
Together we have persevered.
By Chikamso Agina ’22:
In 2014, on the tenth night of April, I found something nestled within the fullness of the moon. It was the night of my tenth birthday that I found a fragment of myself in the silver glow that rests in the sky. I had admired its beauty with eyes that brimmed youthful and elated, and I slipped into a trance, broken only by the frantic search for pen and paper scraps.
Growing up as an only child with a single mother, I always sought comfort in things rather than in people. So I found comfort in music, cartoons, and games until I fell in love with the moon one night and crowned it as my muse. I ached for understanding beyond scientific fact, wanting desperately to ascend to its peak and dance along its stars.
Even in Nigeria, volunteering at my uncle’s hospital and local orphanage, I would go to my bed exhausted, anticipating the moment my head would collide with my pillow. But sleep would wait until I could bid the sun goodnight and welcome the little stars that came out to sing their gentle lullabies. Once I saw that familiar lunar glow, then I would be content and close my eyes for sleep.
I began to write with purpose once I was ten years old, dutifully placing pen to paper and fingers to keyboard as my brain flourished with pictures that I transformed into words. As a child, my little nonsensical stories featured the moon in the form of someone who was human (a very poorly written human at that). My dream was to describe it to be someone noble, someone kind, someone beautiful, someone admirable.
I was never satisfied with what I wrote about the moon, constantly deleting my drafts and tossing them away. I grew frustrated, but I was so enthralled with the process of writing that I couldn’t imagine giving up. So, I didn’t. I began to write differently, writing short stories about other things and about other people. I began to observe differently, taking notice of the way my classmates behaved, how my teachers behaved, how strangers behaved. I aged as I wrote, and once I was fifteen years old, I wrote a story called Earth Boy, a flash fiction about a being who found himself in love with the moon which I represented exactly as it was, a stellar body that was wrapped in dust. I was so content and pleased with what I’d written, but once I gazed up into the moon weeks later, that feeling of contentedness quickly dried out. I knew more than anyone I had to try again. I knew more than anyone that I could push myself to do better.
When the world came to its Covid eclipse in March 2020, I found myself writing every little thought that waxed and waned around my brain to spark some life into the night of quarantine.
I poured myself into my writing for an entire year, staring at the moon as I usually did on nights when I felt hopeless. Now, in the year of 2021, my first book is reaching its end, and once again, I am feeling more than content. Content, yes, but I’m not nearly satisfied. Like the moon, my writing goes from new to full, waxing and waning in its phases forever and again without end.
Article by Phoenix writer Amir Jeudy ’22:
On Friday, September 24th, the 6th and 7th grades competed in Latin School Spirit Day. Latin School Spirit Day is an afterschool competition where each homeroom in the 6th and 7th grade competes against each other in a series of athletic events. Each homeroom was assigned a color that they’d wear in order to show their spirit. The games included kickball, tug-o-war, relay races, knockout, and volleyball. The weather was beautiful, a stark contrast from the rain-filled Friday morning.
Though many homerooms participated, only one was able to walk out a champion. Homeroom 7C won the day in convincing fashion. Many felt the day was a refreshing return to Kellenberg normalcy, as and 7B Marianist Leader Amanda Pillig ’22 remarked, “ The afternoon gave a really good sense of normalcy especially since a lot of these kids haven’t experienced a normal school year in a while, it was nice to see everyone having such a good time.” The Latin Schoolers also had a lot to say about the day. Member of 7F John Vitale ’27 said “It was really fun to run around and I especially enjoyed tug-o-war.” Overall, it was a day enjoyed by all and offered a nice, fierce, and relaxing competition.
By Phoenix writer Edward Jansen, ’21:
National Poetry Week was celebrated at Kellenberg through the school’s first poetry Open Mic Ceremony, pioneered by Mrs. Page.
Senior Edward Jansen, Master of Ceremonies, introduced readers after dramatizing an original poem, titled “I Do Not Know The End,” and providing some insight on the purpose and process of truthful writing. “A writer’s goal,” Edward said, “is to convey his or her message through actions and through attitudes; to use words as little as possible, to never say more than necessary, and to elicit courage and grace under pressure through honest and sincere prose.”
First to perform was sixth-grader Zachary Gallegra who read the opening prayer— Psalm 96–and two original poems— “You Are You” and “From the Start.” Mr. Brown, English teacher and published author of the novel Chuckanut Dreams, read an original poem titled “To Steven,” dedicated to deceased Officer Steven McDonald— someone Mr. Brown has found particularly inspiring— and masterfully described the journey of a writer to multitudes of young minds. Most participants were from either the sixth or ninth grade, with a handful of exceptions, such as Senior Robert Nolan, who believes, “though I messed up a six-word Hemingway story— ‘For sale: baby shoes, never worn’— it was good to see so many young people in love with poetry.”
And that is exactly what the Open Mic was— a display of affection for art, for poetry, and for writing, championed by some of Kellenberg’s best speakers— such as drama personalities Gabriel Blanco and Clara Ambrosino— upheld by an expansive audience of teachers and students— including Mrs.von Schoenermarck, Mrs. Agulles, Mrs.Villani, Mrs. Sullivan, and Mr. Each— and produced with much love and many thanks through the kindness, sincerity, and dedication of Mrs. Page.
78 students and staff attended the event, encouraging English Department Co-Chair Mrs.von’s hope for the future of poetry at Kellenberg.
Students interested in publishing poetry in Kellenberg’s arts and literature online magazine can email renaissance@kellenberg.org.
“Pink Dogwoods” by ChloeAnn Cajuste ’28
“Soft Glowing Lamp” by Sophia Sontag ’27
“Memory of a Boat Trip” by Lauren Reyes, ’26
“Overgrown” by Rosann Passalacqua An impressionist painting of the memory of my grandparents’ backyard garden.
Painting: “Let Music Free Your Soul” by Mia Rose Spence ’30, The Renaissance Challenge Winner
Ashlynn Newsome ’25 Reese Holloway ’25 Tristan Weber ’31 Emily Fox ’31
“Energy Doll” Illustration by Brandi Licato ’24
“Mary, Mother of God” In celebration of the Month of the Rosary and the Feast of Our Lady of the Rosary. Rosann Passalacqua, ’27